Multi-disciplinary installation with lightboxes, mixed media sculptures, parking meter and multichannel video

Kara Chin presents a new interactive multimedia installation for Liverpool Biennial 2025, inspired by Manga and apocalyptic video game graphics that explores rage, grief and nuisance. The artist draws on repeated motifs such as seagulls, parking meters, and the seemingly invasive Buddleia plant often found in cities, including Liverpool. Here, they serve as metaphors for global unease and anguish in the face of economic and ecological decline.

Courtesy of the artist and Liverpool Biennial. Images by Mark McNulty.